In this essay I will explore how power and control is showed through language in the book Frankenstein and play The Tempest. Power is the ability to do something or act in a specific way. Control is the authority to influence or change people’s behaviour. I will explore how the language used shows power and control in both texts. Frankenstein is a book written by Mary Shelley and was published in 1818. A book which was influenced by the Aldini experiment. The Romantic Movement is another influence on Mary Shelley. The Tempest is a play written by Shakespeare and is based on a shipwreck of navy vessels in Bermuda. Shakespeare’s play The Tempest was written in between 1610-11.
Chapter two of Mary Shelley novel Frankenstein is the lightning scene. As the lightning hits the tree he is consumed with amazement. “As the dazzling light vanished the oak disappeared, and nothing remained but a blasted stump”. As the lighting hits the tree Victor an idea of him being able to use electricity to bring a being back to life. Imagery is used here to show the starting point of Frankenstein’s fascination with death. This also the starting point were Frankenstein starts to lose his mental power and mental control. “It was not splintered by the shock, but entirely reduced to thin ribands of wood”. “I never beheld anything so utterly destroyed”. Frankenstein’s mind is overpowering it’s self as he wants to find out more about death. This is the point at which Victor’s mind is preoccupied with the idea that he can bring individuals back from the dead. However this idea is the downfall of his health and consequently leads to more devastating downfalls later on in the novel. “All that had so long engaged my attention suddenly grew despicable”. Victor ideas dominated his thoughts and this particular thought overcame his thoughts and grew making him obsessed with studying natural philosophy and chemistry. Mary Shelley expresses power and control in chapter two through Victor Frankenstein. The way he is obsessed with death he starts to lose control over his mind and power of his mind. This particular chapter is the start of the Aldini experiment being introduced into the novel. The Aldini experiment is the social context which influenced Mary Shelley to write this novel.
The tempest has a hierarchy system and in the system Caliban is at the bottom an above him is Ariel. Ariel is a supernatural being that was controlled by the Sycorax’s but when Prospero defeats the Sycorax and frees Caliban and Ariel. In (A1S2) Shakespeare presents power and control through Prospero’s relationship between both Ariel and Caliban. Prospero’s relationship with Ariel is more respectful than Prospero’s relationship with Caliban. “All hail, great master, grave sir, hail!” Ariel talks to Prospero with the utmost respect because Prospero has the power to release Ariel from his duty. Ariel was imprisoned in a tree by the Sycorax (Caliban’s mother) for twelve years. Prospero is the one freed Ariel from the tree, so he addresses Ariel’s defiance with a constant reminder that he saved Ariel from the Sycorax’s spell, and with promises to grant Ariel his freedom. “Imprison’d thou didst painfully remain a dozen years; within which space she died and left thee there”. This links with power and control because as Prospero says this Ariel knows he has to continue, as Prospero has the authority to relieve him of his duties. Caliban is a slave faced against the concept of old world vs new world. Caliban is a man from the new world and Prospero is a man from the old world. Prospero knows things Caliban doesn’t know so after he shows him around the island he takes advantage of him. In (A1S2) Prospero’s relationship with Caliban is seen as derogatory. Prospero addresses Caliban in an ill-mannered way “thou poisonous slave, got by the devil himself. Upon thy wicked damn, come forth!” This encounter between Prospero and Caliban shows the superiority of Prospero. The words “poisonous”, “devil” and “wicked”. All of the words used are negative and are used negatively to describe Caliban, and they show the tone in which Prospero was speaking in has changed. Prospero uses violence as a form of power and control. He threatens Caliban with violence which makes Caliban obey his commands which gives Prospero power and control over Caliban. Prospero has power and control over Caliban because Caliban knows Prospero can do magic, he can’t push him because his strength is no match for Prospero’s magic. Prospero then realises this and starts to manipulate Caliban getting him to act how he wants as he knows his power is too much for Caliban.
In (A2S2) Caliban crawls under a cloak because of a storm ready to hit the island. This is where he is met by Stephano. Stephano is a lively often drunk butler of King Alonso. Trinculo is a jester for king Alonso. Stephano finds a cloak with legs sticking out and mistakes it for a unknown creature. “These be fine things, an if they be not sprites. That’s a brave god, and bears celestial liquor. I will kneel to him”. Caliban is given liquor and refers to it a celestial, this is because it’s something he has never tasted out of his world. As Caliban is from the new world they wouldn’t have tasted this before and because of this he kneels before Trinculo and Stephano. The new world vs old world is the idea that people from the old world are more civilised and have explored more and the new world is full of uncivilised people who have never explored the world. The liquor is the form of power and control in the this scene because Caliban is intrigued by the liquor they used. The liquor is a form of power and control as it gets Caliban to wait hand and foot for them. As Caliban wants to serve Trinculo and Stephano they take advantage of idea. Now Caliban is at the bottom of the hierarchy system. In addition to answering to Prospero, Caliban decided to listen to Trinculo and Stephano becuase he had the idealistic view they could take the power and control away form Prospero. “Farewell master; farewell, farewell”! Caliban’s bidding words as he pledges his alliance to Trinculo and Stephano.
The night Frankenstein brings the creature to life. Chapter 5, the part of the story mainly influenced by the Aldini experiment. “For this I had deprived myself of rest and health”. Frankenstein deprived his health to create the creature, his mind was set on making the creature and he was in control at this time. “Unable to endure the aspect of the being I had created, I rushed out of the room”. Frankenstein losses all power and control he had. The creature he created looks like nothing he would ever think of. He is disgusted by his creation, and that creation is also the creation of his downfall. He already risks his health but to do it and it doesn’t work out for him, which is what makes him lose his power and control. Frankenstein’s health starts to deteriorate as a result of the creature. In chapter 8 Frankenstein’s health gets worse because Justine Moritz is blamed for the murder of William Frankenstein, and he knows he created the creature that killed William. Justine Moritz is sentenced to death and this is when Frankenstein’s health deteriorate. At the end of chapter 9 Frankenstein visits the valley of Chamounix to recuperate and regain power and control of his body. This is where he visits the sublime. The sublime is a feeling of overwhelming greatness. “This valley is more wonderful and sublime”. Frankenstein uses the valley of Charmounix to escape the trouble he has caused creating the monster as he needs to forget everything he has done. Using the valley of Charmounix to rejuvenate his health This is where Frankenstein starts to regain power and control over his metal state and his physical state.
In (A4S1) Prospero knows that Caliban is plotting against him. “A devil, a born devil on whose nature nurture can never stick” Nature vs nurture is the idea that the way someone behaves cannot be adapted and the way someones behaviour is adapted. Here Prospero is saying Caliban cannot be changed as he was born a devil and not matter how hard I try and with my power he can never be changed. Prospero was determined to change Caliban and make him a better person and change him to a new world person, instead of the old world person. “Pray you tread softly, that the blind mole may not hear a footfall. We now are bear his cell”. Pray you tread softly shows Caliban is aware of the power that Prospero possesses and if he catches them he will make them pay for trying to rid him from the abandoned island. Caliban wants to get rid of Prospero to claim the island which is his birth right. That the blind mole may not hear footfall, Caliban refers to prospero as a blind mole but is not aware that Ariel is alert to their plans, and has also alerted Prospero. “A devil, a born devil” Prospero refers to Caliban as a devil, which means Prospero thinks of Caliban as pure evil and a wretch. “On whose nature nuture can never stick” Here Prosperos says no matter how hard he tried to change Caliban he was born evil so he cannot change how he acts. A lack of control is shown here as he cannot change Caliban as those are his innate traits. Innate traits are the traits an individual is born with and that is something that cannot be changed. “I will plague them all, even to roaring” Prospero is surfeited as he has tried to make Caliban a better person, but Caliban has consistently rebelled and disappointed Prospero with the actions he has displayed.
In Frankenstein Chapter 10 Frankenstein meets the monster he created again face to face. “Abhorred monster! fiend that thou art! the tortures of hell are too mild a vengeance for thy crimes. Wretched devil! you reproach me with your creation; come on then, that I may extinguish the spark which I so negligently bestowed”. Frankenstein tries to take back power and control over the creature that ruined his life. “My rage was without bounds; I sprang on him, impelled by all the feelings which can arm one being against the existence of another” Frankenstein rage builds up and its like it builds up his power and control. “The monster tries to stop him. He easily eluded me, and said, “Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery?” The monster tries to get forgiveness from Frankenstein but Frankenstein wants to keep the power and control he gained.
In (A5S1) Prospero decides to give up his power and control of everybody on the island. Prospero’s brother is one of them men who deceived him, but uses his control to stop him from using his power to get revenge. Prospero realises that by imprisoning them it is not helping him. “There, sir, stop. Let us not burden our remembrances with a heaviness that’s gone”. Prospero basically said lets’s forget all this sadness which is now in the past. Prospero used his powers for negative things and decides to let everyone go and forget what they did to him. Ariel says “Was’t well done?” and Prospero replies with “Bravely, my diligence. Thou shalt be free”. Prospero uses his power and control to free Ariel as he sticks to his word as Ariel did his job correctly.
To conclude this essay Frankenstein had power and control until he created the monster and loses it. When he creates the monster his health deteriorates and goes to the Valley of Charmounix to recuperate. He finally meets the monster again when he tries to destroy the monster, but dies. Frankenstein tried to play God but the power and control he had he loses it. In The Tempest Prospero has all the power and control but becomes to much as Caliban tries to over throw him but he fails and this is when Prospero realises is that the power and control is too much. In the both texts they have contrasting effects of power and control.

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